Distortion lets you know whether your playing is creating any unwanted sounds to help you work on your muting.Īlso (sorry for the bump), if you practice at full speed before you're comfy with it, you're teaching your fingers and mind to rush to a rhythm you can't keep up with: this is the number 1 way I noticed myself essentially practicing sloppiness and making it a part of my playing. Whether the note is being picked properly or if it is slightly muted or muffled. Clean lets you be aware of the sounds that you are picking. Practice for maybe 10 or more minutes on clean, and then on distortion of an equal amount of time. Avoid adding other effects like reverb or chorus etc. Muting is a combined effort done by both hands. As for the fretting hand, point 3 is important cause it helps mute the note after it has been played. Use the palm of your picking hand to mute the lower strings when they're not being played or after you have picked them. Muting really helps decrease that unwanted noise that comes from the strings that you're not playing. When you're about to press a note, put finger on string gently, exert pressure and press down. This will take some conscious effort to practice but really take your time and go through it. Don't lift the finger off the string immediately. The way to let go of a fretted note, is firstly relax the finger pressing the note then only lifting the finger off the string. You want to do it in a way that has the least unwanted sound. When you release and press a note, the way you do it is very important. Lets say you're playing a note on every beat at 80bpm, set the metronome to like 20 and try playing such that it's 4 notes per beat, if you get what I mean. Once you can do that properly, try playing 2 notes per beat, and then 4 notes per beat. Start by playing the note on every beat of the metronome. If it feels mindnumbingly slow or uncomfortably slow, increase it a little. Start with a comfortable bpm, and if you think it's too fast, decrease it. There is too much time between the notes for you to string them together properly. If it's too slow, you just end up picking each string individually in a down down down down or up up up motion. The thing is to start slow, but you don't have to go really slow or crazy slow like some 10bpm stuff. Some tips I can give you (after watching a whole bunch of videos and practicing): It sounds like a cat being strangled when I do it now and since I don't see myself using it in my playing anytime soon, I kinda lost the motivation to want to learn it lol. And it's like I've almost completely lost that skill. I haven't been practicing sweep picking for about 3 months now. Every time I wanted to learn a new lick or something, I would have to start practicing again and it would completely suck, even though the right hand motion is pretty much the same. But I realized that I could only play 2 sweep picking licks. Towards the end of that 2-3 months I started to get a little smooth. Every day while reading something online or watching a game on my computer, i'd put the metronome on and start. I practiced sweeping for about 2-3 months. Hell, maybe start with a simple barre go up and down in one direction then try switching up and down, down and up fast. Every practice session I spend about 5 mins on sweeping progressively harder shapes (even some two notes per line, which makes for interesting direction and picking changes) just to warm up my brain for it. It's all in the timing and that's something you have to work on. I think you get used to picking each note you intend to play (ignoring pull-offs and hammer ons), so fretting the notes as your are doing a sweep can be jarring. One continuous picking motion aka sweep is all. It's important to maintain the slant angle and remember, you are NOT picking every note. Of course, it's much more intricate than that, but that's the general idea. So, the right hand (assuming you're not lefty), the pick is slanted in the direction of the sweep and you "strum" it across the strings you intend to pick. The way I think of it is I'm sort of strumming single notes across multiple strings like a chord, but with more control and my fretting hand is not necessarily set in a chord shape.
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